No woman is really an insider in the institutions fathered by masculine consciousness. When we allow ourselves to believe we are.
ADRIENNE RICHThere is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
More Adrienne Rich Quotes
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Can individual psychic wounds really heal in an abusive and fragmented society? Audre Lorde has a poem which begins,
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To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
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“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
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Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
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If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
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Poems are like dreams: in them you put what you don’t know you know.
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Reality, the oppressor’s tongue.
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There must be those among whom we can sit down and weep and still be counted as warriors.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
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To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.
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Until we know the assumptions in which we are drenched, we cannot know ourselves.
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