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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?

Adrienne Rich

Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
ADRIENNE RICH

Always Asked Children Come Fear Growing Lest Menses Up Waited Waiting War Women
Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
ADRIENNE RICH

Country Poets have Unravelling Violent Wonderful
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH

Century Coming Country Culture Different Discerned Poetic Role Social Together Voice
The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
ADRIENNE RICH

Adolescence Carrying Lesbian Limb Sexuality Stretch
It is not really about them though it targets them as consumers.
ADRIENNE RICH

Consumer Really Target Though
I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
ADRIENNE RICH

Generation Idea Irrelevant Raised Succumb Tech Television
Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
ADRIENNE RICH

Breaking Broken Historian might Poem Question Real Silence Tended
Grief held back from the lips wears at the heart; the drop that refused to join the river dried up in the dust.
ADRIENNE RICH

Dried Drop Dust Grief Heart Lip Refused River Wear
If we had time and no money, living by our wits, what story would you tell?
ADRIENNE RICH

Living Money No Stories Tell Wit
Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
ADRIENNE RICH

Attempt Correspond Dangerously Daughter Mother Personalities Personality
The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.
ADRIENNE RICH

Change Continuity Dialectric Instructive Life Light People Personal
My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
ADRIENNE RICH

Age Cast Destroyed Extraordinary Heart Lot Moved perversely Power Reconstitute Save World
I am an instrument in the shape/ of a woman trying to translate pulsations/ into images for the relief of the body/ and the reconstruction of the mind.
ADRIENNE RICH

Body Instrument Mind relief Shape Trying
You must write, and read, as if your life depended on it.
ADRIENNE RICH

Depended Life Must Read Writing
Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
ADRIENNE RICH

Buried Collapse Difficult Inadequate Memory Merely Unspeakable Unspoken
I feel more helpless with you than without you.
ADRIENNE RICH

Feel Helpless More Without You

Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?

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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?

Related Topics

Popular Authors

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