I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
ADRIENNE RICHSome turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand–a center of gravity.
More Adrienne Rich Quotes
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.
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A patriot is one who wrestles for the soul of her country as she wrestles for her own being.
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To become a token woman – whether you win the Nobel Prize or merely get tenure at the cost of denying your sisters – is to become something less than a man.
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We see daily that our lives are terrible and little, without continuity, buyable and salable at any moment, mere blips on a screen, that this is the way we live now. Memory marketed as nostalgia; terror reduced to mere suspense, to melodrama.
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We need to imagine a world in which every woman is the presiding genius of her own body.
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The most important thing a woman can do for another is to illuminate her actual possibilities.
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I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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But can you imagine how some of them were envying you your freedom to work, to think, to travel, to enter a room as yourself, not as some child’s mother or some man’s wife?
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Reality, the oppressor’s tongue.
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Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
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Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
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In a world where language and naming are power, silence is oppression, is violence.
ADRIENNE RICH