I am a citizen of a country that has just undergone a thieved election, a country deeply and dangerously divided between rich and poor, but also between rich and middle class.
ADRIENNE RICHPoetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
More Adrienne Rich Quotes
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TV has created a kind of false collectivity.
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It takes some strength of soul–and not just individual strength, but collective understanding–to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.
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Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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The difficulty of saying I-a phrase from the East German novelist Christa Wolf. But once having said it, as we realize the necessity to go further, isn’t there a difficulty of saying ‘we’? You cannot speak for me.
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
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I’d call it love if love didn’t take so many years but lust too is a jewel.
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It’s been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.
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That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
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In [family snapshots] the flow of profane time has been stopped and a sacred interval of self-conscious revelation has been cut from it by the edge of the picture frame and the light of the sun or the flash.
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Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
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Women’s art, though created in solitude, wells up out of community.
ADRIENNE RICH