In America we have only the present tense. I am in danger. You are in danger.
ADRIENNE RICHSpaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
More Adrienne Rich Quotes
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If we had time and no money, living by our wits, what story would you tell?
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Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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I don’t trust them but I’m learning to use them.
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I feel more helpless with you than without you.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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I don’t think we can separate art from overall human dignity and hope.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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To allow what you’re reading to pierce routines, safe and impermeable, in which ordinary carnal life is tracked, charted, channeled. Then, what of the right answers.
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My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
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There is no ‘the truth’,’a truth’ – truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface.
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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To “see the light” too often has meant rejecting the treasures found in darkness.
ADRIENNE RICH