A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
ADRIENNE RICHThere’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
More Adrienne Rich Quotes
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Poems are like dreams: in them you put what you don’t know you know.
ADRIENNE RICH -
When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
ADRIENNE RICH -
I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
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To work and suffer is to be at home. All else is scenery.
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The unconscious wants truth. It ceases to speak to those who want something else more than truth.
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It is part of our refusal of the self-destructiveness of male-dominated society.
ADRIENNE RICH -
Any woman’s death diminishes me.
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I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
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In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
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Courage is not defined by those who fought and did not fall, but by those who fought, fell and rose again.
ADRIENNE RICH -
Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder
ADRIENNE RICH -
In America we have only the present tense. I am in danger. You are in danger.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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To allow what you’re reading to pierce routines, safe and impermeable, in which ordinary carnal life is tracked, charted, channeled. Then, what of the right answers.
ADRIENNE RICH






