False history gets made all day, any day, the truth of the new is never on the news.
ADRIENNE RICHThere’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
More Adrienne Rich Quotes
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Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
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As her sons have seen her: the mother in patriarchy: controlling, erotic, castrating, heart-suffering, guilt-ridden, and guilt-provoking; a marble brow.
ADRIENNE RICH -
Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
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Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
ADRIENNE RICH -
Art means nothing if it simply decorates the dinner table of power which holds it hostage.
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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If we had time and no money, living by our wits, what story would you tell?
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The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
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Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
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I feel more helpless with you than without you.
ADRIENNE RICH -
Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.
ADRIENNE RICH -
My children cause me the most exquisite suffering of which I have any experience. It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
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Mothers and daughters have always exchanged with each other – beyond the verbally transmitted lore of female survival.
ADRIENNE RICH