No one sleeps in this room without the dream of a common language.
ADRIENNE RICHThere’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
More Adrienne Rich Quotes
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I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.
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Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
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Poems are like dreams: in them you put what you don’t know you know.
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It is the lesbian in us who is creative, for the dutiful daughter of the fathers in us is only a hack.
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Mothers and daughters have always exchanged with each other – beyond the verbally transmitted lore of female survival.
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Art and literature have given so many people the relief of feeling connected – pulled us out of isolation. It has let us know that somebody else breathed and dreamed and had sex and loved and raged and knew loneliness the way we do.
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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Can you remember? when we thought the poets taught how to live?
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It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
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Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.
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Passion for survival is the great theme of women’s poetry.
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When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
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How shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying.
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The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
ADRIENNE RICH






