The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
ADRIENNE RICHThe materials are here for the deepest mutuality and the most painful estrangement.
More Adrienne Rich Quotes
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Strangers are an endangered species.
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The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
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Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
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Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
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What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
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Art and literature have given so many people the relief of feeling connected – pulled us out of isolation. It has let us know that somebody else breathed and dreamed and had sex and loved and raged and knew loneliness the way we do.
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When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart.
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.
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Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
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What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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Poetry is the liquid voice that can wear through stone.
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
ADRIENNE RICH