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These scars bear witness but whether to repair or to destruction I no longer know.

Adrienne Rich

The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
ADRIENNE RICH

Casual Daily Danger Flow Forgetting Generation Grandchildren Jogged Life Lying Memories Storytelling Trick
We who were loved will never unlive that crippling fever.
ADRIENNE RICH

Crippling Fever Love Loved Unlive
In America we have only the present tense. I am in danger. You are in danger.
ADRIENNE RICH

Country Danger Present Tense
We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
ADRIENNE RICH

Amazement Both Complexity Confusion Daughter Mother
These scars bear witness but whether to repair or to destruction I no longer know.
ADRIENNE RICH

Bear Destruction Longer Scar Witness
It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
ADRIENNE RICH

Ambivalence Blissful Gratification Murderous Nerves Resentment Suffering
Language is as real, as tangible, in our lives as streets, pipelines, telephone switchboards, microwaves, radioactivity, cloning laboratories, nuclear power stations.
ADRIENNE RICH

Cloning Laboratories Live Nuclear Pipeline Power Radioactivity Real Street Switchboard Telephone
Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
ADRIENNE RICH

Alternative Consciousness Destiny Flow Grain Idea
It is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
ADRIENNE RICH

Changeable Daily Earth Eternal Indestructible Life Live Spawn Swallow Threating Unstable
Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you; it means learning to respect and use your own brains and instincts; hence, grappling with hard work.
ADRIENNE RICH

Hard Learning Mean Refusing Responsibility Strong Thinking Women Work
I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.
ADRIENNE RICH

Born Each Help Helping Knowing Live Somehow Somewhere Tomorrow
Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICH

Breath Colon Double Indication Metrically Musical Notation Pause Slash Sound Space Urgency
Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
ADRIENNE RICH

Breaking Broken Historian might Poem Question Real Silence Tended
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
ADRIENNE RICH

Bridges Especially Interested Line Long Poem Scoring Space Thinking
We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
ADRIENNE RICH

Consciousness Grandmother Market Ourselves Toughness Unacceptable Women
In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH

Compared Country Need Personal Poetry Retrenchment Support Thinking

These scars bear witness but whether to repair or to destruction I no longer know.

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These scars bear witness but whether to repair or to destruction I no longer know.

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Popular Authors

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