The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
ADRIENNE RICHIt is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
More Adrienne Rich Quotes
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The will to change begins in the body, not in the mind.
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The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics.
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Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
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We have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
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The most notable fact that our culture imprints on women is a sense of our limits.
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Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.
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Change is not a threat to your life, but an invitation to live.
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Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.
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I wanted him [my father] to cherish and approve of me, not as he had when I was a child, but as the woman I was, who had her own mind and had made her own choices.
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Poetry reaches into places in us that we are suppose to ignore or mistrust, that are perceived as subversive or non-useful, in what is fast becoming known as global culture.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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The so-called multiple-choice examination sheet with the number 2 pencil to mark one choice and one choice only?
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A language is a map of our failures.
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It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
ADRIENNE RICH