I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
ADRIENNE RICHWhen men – insofar as they are embodiments of the patriarchal idea – have become dangerous to children and other living things, themselves included
More Adrienne Rich Quotes
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Your mind now, moldering like wedding-cake, heavy with useless experience, rich with suspicion, rumour, fantasy, crumbling to pieces under the knife-edge of mere fact. In the prime of your life.
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We have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
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An honorable human relationship … is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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No woman is really an insider in the institutions fathered by masculine consciousness. When we allow ourselves to believe we are.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
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It is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
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I am a woman in the prime of my life, with certain powers and those powers severely limited by authorities whose faces I rarely see.
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[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
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Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
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False history gets made all day, any day, the truth of the new is never on the news False history gets written every day … the lesbian archaeologist watches herself sifting her own life out from the shards she’s piecing, asking the clay all questions but her own.
ADRIENNE RICH