I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
ADRIENNE RICHIt’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
More Adrienne Rich Quotes
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
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To “see the light” too often has meant rejecting the treasures found in darkness.
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Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
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Sexuality, politics, intelligence, power, motherhood, work, community, intimacy will develop new meanings; thinking itself will be transformed. This is where we have to begin.
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If we had time and no money, living by our wits, what story would you tell?
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I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
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The difficulty of saying I-a phrase from the East German novelist Christa Wolf. But once having said it, as we realize the necessity to go further, isn’t there a difficulty of saying ‘we’? You cannot speak for me.
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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if we are unaware that women even have a history–we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.
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Any woman’s death diminishes me.
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I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
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Strangers are an endangered species.
ADRIENNE RICH