What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICHWomen’s Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.
More Adrienne Rich Quotes
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Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
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My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
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It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity.
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.
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An honorable human relationship … is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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Waiting for children to grow up, or for the birth of a new child, or for menopause.
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When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart.
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False history gets made all day, any day, the truth of the new is never on the news False history gets written every day … the lesbian archaeologist watches herself sifting her own life out from the shards she’s piecing, asking the clay all questions but her own.
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The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
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The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
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[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
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We who were loved will never unlive that crippling fever.
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Every poem breaks a silence that had to be overcome.
ADRIENNE RICH






