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A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.

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Cutting Enough Flesh Open Ripped Scar

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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Daughter Dwelt Kingdom Mother Son World
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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Citizen Class Generation Grief Magnet National Race Relationship Wall War
It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
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… this world gives no room to be what we dreamt of being
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An honorable human relationship … is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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Delicate Honorable Human Involved Person Process Relationship Terrifying Truth Violent
Weather abroad and weather in the heart alike come on Regardless of prediction.
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Abroad Alike Heart Prediction Regardless Weather
Courage is not defined by those who fought and did not fall, but by those who fought, fell and rose again.
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Courage Defined Fall Fought Recovery Rose
To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
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Can individual psychic wounds really heal in an abusive and fragmented society? Audre Lorde has a poem which begins,
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The more I live, the more I think, two people together is a miracle.
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Language is power… Language can be used as a means of changing reality.
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The difficulty of saying I-a phrase from the East German novelist Christa Wolf. But once having said it, as we realize the necessity to go further, isn’t there a difficulty of saying ‘we’? You cannot speak for me.
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It is important to possess a short-term pessimism and a long-term optimism.
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Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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As a society in turmoil, we are going to see more, and more various, attempts to simulate order through repression; and art is a historical target for such efforts.
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