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You have to be malleable to what’s going to work, and you have to stay in the framework of the context.

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Context Framework Going Malleable Stay Work

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You’re reducing a medium that’s meant to be seen on your 65-inch plasma screen at home for your 4-inch monitor on the train.
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I wasn’t really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.
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Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator
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The thing is, when you put a button in someone’s hand and give them the power of yes or no is a shorter word. People just say no.
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I think people ultimately realize that, but not when they’re in the spotlight.
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When I go back in to re-record a line. I’m the icing on the cake, but the cake is the thing.
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It’s a different thing to just be a voice.
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You have to be malleable to what’s going to work, and you have to stay in the framework of the context.
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Context Framework Going Malleable Stay Work
And then, there are the producers and the writers and the director on the other side of the glass, and what they want.
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You always have good shows and bad shows.
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This cross-section of people they just happen to bring in to decide the fate of mankind on television is really scary.
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People are ready to do either, and the content has to work on both.
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It’s liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it’s limiting because it’s just your voice.
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I know that the vitriol and hyperbole that exists online, and the anonymity, can be deadly because it’s cloaked in negativity and it’s brutal sometimes.
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I don’t consider myself much of an actor. I have a face and a voice that allows me to do certain things.
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The involvement of people at home is just broadening things.
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