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The thing is, when you put a button in someone’s hand and give them the power of yes or no is a shorter word. People just say no.

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Buton Hand Lying No Opportunity Power Put Real Someone Thing When Yes

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You really have to bring your game and know what you want to do.
ADRIAN PASDAR

Director Game Glasses Really Wanted
But there are people who are way better at it than I am.
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Better Me People Than Way
You’re reducing a medium that’s meant to be seen on your 65-inch plasma screen at home for your 4-inch monitor on the train.
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Home Meant Medium Monitor Plasma Reducing Screen Train
On a plane or on a train, or whatever, you see people with their headphones and they’re looking at their iPhone or their Galaxy.
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And then, there are the producers and the writers and the director on the other side of the glass, and what they want.
ADRIAN PASDAR

Director Glass Other Producer Side Wanted Writer
This cross-section of people they just happen to bring in to decide the fate of mankind on television is really scary.
ADRIAN PASDAR

Behind Deciding Focus Glass Group Look Really Scary
People want a certain amount of each. It’s just widening the market a little bit.
ADRIAN PASDAR

Amount Bit Certain Little Market People Widening
It’s liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it’s limiting because it’s just your voice.
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I wasn’t really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.
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The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes.
ADRIAN PASDAR

Lie Most No Opportunity Power Real Yes
Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator
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Animator Cake Director Expectation Meet Nine Someone Ten Time Trying Writer
When I go back in to re-record a line. I’m the icing on the cake, but the cake is the thing.
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Back Cake Icing Line Record Thing
More and more people are watching entertainment on their phones.
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You do a couple of superhero things and then, all of a sudden, they want to get you because there may be some name value.
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The thing is, when you put a button in someone’s hand and give them the power of yes or no is a shorter word. People just say no.
ADRIAN PASDAR

Buton Hand Lying No Opportunity Power Put Real Someone Thing When Yes
It’s a different thing to just be a voice.
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Different Just Thing Voice
People ultimately get what they deserve on TV.
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Advertising Deserve People Television Ultimately Vehicle
I know that the vitriol and hyperbole that exists online, and the anonymity, can be deadly because it’s cloaked in negativity and it’s brutal sometimes.
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Choaked Deadly Exist Hyperbole Negativity Online Sometimes Vitriol
People are ready to do either, and the content has to work on both.
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The involvement of people at home is just broadening things.
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If you ever go behind the glass and look at the focus groups that are deciding what you’re gonna watch, it’s scary.
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I don’t consider myself much of an actor. I have a face and a voice that allows me to do certain things.
ADRIAN PASDAR

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I think people ultimately realize that, but not when they’re in the spotlight.
ADRIAN PASDAR

People Realize Spotlight Ultimately
You have to be malleable to what’s going to work, and you have to stay in the framework of the context.
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Context Framework Going Malleable Stay Work
You always have good shows and bad shows.
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What people end up watching is what the advertising end up glomming onto and promoting.
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Advertising End Glomming People Promoting Up Watching

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