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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.

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You’re always looking to make it a bit fresh.
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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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I always want the action to be witty. I don’t want it to be merely routine.
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Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else.
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
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I want to make sure people are constantly surprised and interested.
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It’s not fundamentally different to any other genre, that action is a particular thing.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
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In the very beginning, she’s using him in a pretty cynical way.
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