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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.

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You’re always looking to make it a bit fresh.
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It’s not fundamentally different to any other genre, that action is a particular thing.
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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
ADRIAN HODGES

Fun Lot Simple Wanted
The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
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I want to make sure people are constantly surprised and interested.
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On a simple level, you need directors who are good at action and can choreograph an action scene
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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In the very beginning, she’s using him in a pretty cynical way.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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Milady is, in one sense, a villain because she does bad things.
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And we make quite a big thing about that. I won’t give too much away.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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