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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.

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Cynical Element Innocense Milady Past Thinking

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It’s not fundamentally different to any other genre, that action is a particular thing.
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Milady is, in one sense, a villain because she does bad things.
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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
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You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization.
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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They’re classic themes, which is why I think it’s such a great story to look at again.
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I want to make sure people are constantly surprised and interested.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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In the very beginning, she’s using him in a pretty cynical way.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
ADRIAN HODGES

Cynical Element Innocense Milady Past Thinking
And we make quite a big thing about that. I won’t give too much away.
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