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And we make quite a big thing about that. I won’t give too much away.

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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization.
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I want to make sure people are constantly surprised and interested.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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On a simple level, you need directors who are good at action and can choreograph an action scene
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I always want the action to be witty. I don’t want it to be merely routine.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
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You do see a few people and you are thinking of how that chemistry is going to work, but it’s not really fair to put people who are auditioning together in a room.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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In the very beginning, she’s using him in a pretty cynical way.
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And we make quite a big thing about that. I won’t give too much away.
ADRIAN HODGES

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Milady is, in one sense, a villain because she does bad things.
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