You have to invent a book of rules of what you can do and what you can’t do.
ADRIAN GOSTICKYou have to invent a book of rules of what you can do and what you can’t do.
ADRIAN GOSTICKIt’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
ADRIAN GOSTICKI think you get better at staring into space.
ADRIAN GOSTICKIt made me feel very old, really, because it wasn’t eccentric for its own sake, it was just very original.
ADRIAN GOSTICKYou know them so well, almost as well or better than their spouse. You have to know them, warts and all.
ADRIAN GOSTICKI was speaking to Ridley Scott the other day and he makes a film every 18 months. He’s amazing really.
ADRIAN GOSTICKEspecially living in the South of France.
ADRIAN GOSTICKI think that there are points where you become so close to an actor,
ADRIAN GOSTICKThe challenge, really, on any new film is to try to avoid that and achieve a few moments that aren’t cliche.
ADRIAN GOSTICKWell, Brief Encounter is certainly one of my top five favorites of all time.
ADRIAN GOSTICKWell, I think just the fact that you are making your first film is a huge step.
ADRIAN GOSTICKAlways, with any movie that I do, I have a book of ideas that I’ve heard, or seen, or whatever, and I always try to incorporate it in the film.
ADRIAN GOSTICKI was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.
ADRIAN GOSTICKThe interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
ADRIAN GOSTICKThe danger is that if you have a bunch of ideas that you forget to use.
ADRIAN GOSTICKWhere you can be in their shoes and therefore be more involved if they’re people that you recognize.
ADRIAN GOSTICK