You know them so well, almost as well or better than their spouse. You have to know them, warts and all.
ADRIAN GOSTICKYou know them so well, almost as well or better than their spouse. You have to know them, warts and all.
ADRIAN GOSTICKTheir every instinct – and I have to say this is without exception – is to iron out the bumps, and It’s always the bumps that are the most interesting stuff.
ADRIAN GOSTICKI was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.
ADRIAN GOSTICKIt’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
ADRIAN GOSTICKWell, I think just the fact that you are making your first film is a huge step.
ADRIAN GOSTICKIt made me feel very old, really, because it wasn’t eccentric for its own sake, it was just very original.
ADRIAN GOSTICKI’ve always been interested in films where you can identify with the actors.
ADRIAN GOSTICKI looked at Brief Encounter very closely, to be honest.
ADRIAN GOSTICKWhere you can be in their shoes and therefore be more involved if they’re people that you recognize.
ADRIAN GOSTICKAlways, with any movie that I do, I have a book of ideas that I’ve heard, or seen, or whatever, and I always try to incorporate it in the film.
ADRIAN GOSTICKThe interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
ADRIAN GOSTICKI think you get better at staring into space.
ADRIAN GOSTICKSomebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really.
ADRIAN GOSTICKWell, Brief Encounter is certainly one of my top five favorites of all time.
ADRIAN GOSTICKThe challenge, really, on any new film is to try to avoid that and achieve a few moments that aren’t cliche.
ADRIAN GOSTICKEspecially living in the South of France.
ADRIAN GOSTICK