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The danger is that if you have a bunch of ideas that you forget to use.

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What I think is interesting is that the more you do.
ADRIAN GOSTICK

Book Do Interesting More Real Thinking
It made me feel very old, really, because it wasn’t eccentric for its own sake, it was just very original.
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Foxes was a movie that didn’t do a lot of business but it didn’t do too badly critically and eventually they offered me other things.
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Always, with any movie that I do, I have a book of ideas that I’ve heard, or seen, or whatever, and I always try to incorporate it in the film.
ADRIAN GOSTICK

Book Film Heard Idea Incorporate Movie Seen Trying Whatever
Especially living in the South of France.
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Country Especially Living
The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren’t cliche.
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I think you get better at staring into space.
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Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don’t know, I’ve always been intrigued by those emotions.
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Somebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really.
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The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
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I’ve always been interested in films where you can identify with the actors.
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And the very real danger is that if your book of rules becomes a book of cliches.
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Book Cliches Danger Real Very
The danger is that if you have a bunch of ideas that you forget to use.
ADRIAN GOSTICK

Bunch Danger Forget Idea Use
Where you can be in their shoes and therefore be more involved if they’re people that you recognize.
ADRIAN GOSTICK

Involved More People Recognize Shoe
It’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
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I wanted to make a movie about the arbitrary nature of love.
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Arbitrary Love Movie Nature Wanted

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