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I was speaking to Ridley Scott the other day and he makes a film every 18 months. He’s amazing really.

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I looked at Brief Encounter very closely, to be honest.
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And the very real danger is that if your book of rules becomes a book of cliches.
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It’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
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Their every instinct – and I have to say this is without exception – is to iron out the bumps, and It’s always the bumps that are the most interesting stuff.
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I was speaking to Ridley Scott the other day and he makes a film every 18 months. He’s amazing really.
ADRIAN GOSTICK

Amazing Day Eighteen Every Film Make Month Other People Really Speaking
I’ve always been interested in films where you can identify with the actors.
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I think that there are points where you become so close to an actor,
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What I think is interesting is that the more you do.
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Especially living in the South of France.
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I think you get better at staring into space.
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The danger is that if you have a bunch of ideas that you forget to use.
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Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don’t know, I’ve always been intrigued by those emotions.
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Always, with any movie that I do, I have a book of ideas that I’ve heard, or seen, or whatever, and I always try to incorporate it in the film.
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I was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.
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I wanted to make a movie about the arbitrary nature of love.
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Well, Brief Encounter is certainly one of my top five favorites of all time.
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