It’s a good way of getting you into the zone for the scene.
ADEWALE AKINNUOYE-AGBAJERelated Topics
Anand Thakur
It’s a good way of getting you into the zone for the scene.
ADEWALE AKINNUOYE-AGBAJE
It’s paying homage, very much, to that.
ADEWALE AKINNUOYE-AGBAJE
And if it means you’re getting a certain amount of notoriety from a fight, that’s what you’ll do.
ADEWALE AKINNUOYE-AGBAJE
He’s got to have a bit of an edge, but that would be nice.
ADEWALE AKINNUOYE-AGBAJE
I think always as an actor. I go in knowing how I’m going to play it. That’s about it.
ADEWALE AKINNUOYE-AGBAJE
I’m of Nigerian descent, from the Yoruba tribe.
ADEWALE AKINNUOYE-AGBAJE
You had that in the Carpenter version, and you have that in this prequel.
ADEWALE AKINNUOYE-AGBAJE
It’s very important to stretch, because while it’s good to look pumped
ADEWALE AKINNUOYE-AGBAJE
Because I play the trumpet and sing. I’d like to incorporate that into a character.
ADEWALE AKINNUOYE-AGBAJE
What I like about the Carpenter take on The Thing is the fact that it just has so much suspense.
ADEWALE AKINNUOYE-AGBAJE
So you really, really have to stay supple.
ADEWALE AKINNUOYE-AGBAJE
That’s the really scary thing, not the slasher, macabre movies.
ADEWALE AKINNUOYE-AGBAJE
It just increases your possibilities of work because, if people know you can do just about anything
ADEWALE AKINNUOYE-AGBAJE
It’s the ones that deal with the inner fear, the unknown realms and the mysticisms that are scary.
ADEWALE AKINNUOYE-AGBAJE
And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting.
ADEWALE AKINNUOYE-AGBAJE
Immediately, that gives you creative license to really recreate and explore and put a new stamp on the genre.
ADEWALE AKINNUOYE-AGBAJE