“And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting.”

just to show people the range that I have, and for them to be able to see the artistry beyond the color.

It’s the ones that deal with the inner fear, the unknown realms and the mysticisms that are scary.

You don’t want it to be a replica or an imitation.

I want to take the helm and be a renegade cop, or something like that.

And if it means you’re getting a certain amount of notoriety from a fight, that’s what you’ll do.

It’s very important to stretch, because while it’s good to look pumped

That’s the really scary thing, not the slasher, macabre movies.

The actual fights themselves are very demanding.

Immediately, that gives you creative license to really recreate and explore and put a new stamp on the genre.

. You have to make sure you don’t hurt or hit someone. And hit the beats, because they have five cameras

Then you’re going to get more offers. That’s what I want to do.

The only way you can influence your fate is to put your soul into your performance and hope it registers with the audience.

I’ve never been really great at trusting anybody, just because of the way I grew up.

It’s a good way of getting you into the zone for the scene.

Because I play the trumpet and sing. I’d like to incorporate that into a character.

You want to create something fresh, original, very unique.

I’m here now, I’m inevitably going to die at some point

You risk just as much in being credulous as in being suspicious.

The good man makes others good.

So you really, really have to stay supple.

What makes life life and not a simple story? Jagged bits moving never still, all along the wall.

The personal frustrations that they don’t dare let out on anyone else but a brother or sister,

Immediately on landing I got together my few effects; and, squeezing myself through the crowd,

No man alive can say, This shall not happen to me.