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The transcendent aspect of the psychedelic experience is totally absent.

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Absent Aspect Experience Psychedelic Totally Transcendent

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One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
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Author Encounter Fiction Inflected Published Reading Translating Work Writer
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
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Expected Exposure Far House Latin Reached Reader Risk
I realized I had some cultural capital to spend, and I wanted to use it to introduce another author who might be considered a risk by conventional publishers. Michael Noll was at the top of my list.
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Author Capital Considered Cultural Introduce List Outset Realized Spend Top
The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
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Author Certainly Fiction Inflected Intense Published Reading Reading. Time Translate Work
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
I was confident that I could find an editor and the readership for a translation
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Confident Editor Readership Translation
The transcendent aspect of the psychedelic experience is totally absent.
ADAM MORRIS

Absent Aspect Experience Psychedelic Totally Transcendent
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
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Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
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Concern Country Identity Mean National Primary Reading
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
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Already Author Decision Interest Multiple Reader Translate
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
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Broadly Country Likely Noll People Translated Writing
Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
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Across Category Demographic Diversity Intake Language Reader Reading Tunnel
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
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Context Critic Helpful Novel Political Prerequisite True Understanding
And these are universal relational matters, not necessarily particular to any country.
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Country Matter Necessarily Particular Relational Universal
Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
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Creature Dreamlike Most Mystery Quiet Quite Remarkable Sequencing Thinking
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield

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