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Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.

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Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
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Constructed Experience Modernization Mythic National Subject Unique
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
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Already Author Decision Interest Multiple Reader Translate
The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
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Author Certainly Fiction Inflected Intense Published Reading Reading. Time Translate Work
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
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Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
Unless you count the political backdrop, which in any case is a familiar one to many international readers
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Backdrop Count Familiar International Political Reader Thinking Unless
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
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Break Choices Dark Language Minor Myself Romance Rule Time Translating
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
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Concern Country Identity Mean National Primary Reading
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
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Broadly Country Likely Noll People Translated Writing
I was confident that I could find an editor and the readership for a translation
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Confident Editor Readership Translation
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
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Actually Author Country Culture Every Interested Literature Relate Represent
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
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Aback Available Determined Injustice Looked Nothing Pretty Taken
I realized I had some cultural capital to spend, and I wanted to use it to introduce another author who might be considered a risk by conventional publishers. Michael Noll was at the top of my list.
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Author Capital Considered Cultural Introduce List Outset Realized Spend Top
I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
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Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
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