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Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers

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One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
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Actually Author Country Culture Every Interested Literature Relate Represent
The transcendent aspect of the psychedelic experience is totally absent.
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Absent Aspect Experience Psychedelic Totally Transcendent
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
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Expected Exposure Far House Latin Reached Reader Risk
I primarily write nonfiction. Research, reflection, and spending time with ideas are important to me. So, this is how I spend most of my time writing – in thought.
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Important Nonfiction Primarily Reflection Research Spending Writing
And these are universal relational matters, not necessarily particular to any country.
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Country Matter Necessarily Particular Relational Universal
Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
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Considered Determined Injustice Noll Rectify Translated Tremendous Widely
Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
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Creature Dreamlike Most Mystery Quiet Quite Remarkable Sequencing Thinking
I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
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Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
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Aback Available Determined Injustice Looked Nothing Pretty Taken
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
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Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
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Concerned Country Fundamental Literary National Tango Tradition Trope
An easy example would be the Portuguese escuridão:
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Country Escuridao Example
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
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Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
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Author Encounter Fiction Inflected Published Reading Translating Work Writer
I was confident that I could find an editor and the readership for a translation
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Confident Editor Readership Translation

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