black
grey
blue
red
brown
white

Unless you count the political backdrop, which in any case is a familiar one to many international readers

Adam Morris

The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
ADAM MORRIS

Concerned Country Fundamental Literary National Tango Tradition Trope
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
ADAM MORRIS

Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
ADAM MORRIS

Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
ADAM MORRIS

Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
ADAM MORRIS

Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
ADAM MORRIS

Constructed Experience Modernization Mythic National Subject Unique
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
ADAM MORRIS

Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
ADAM MORRIS

Country English Language Literature Portuguese Spanish Think Three
Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.
ADAM MORRIS

Championed Editor Hoise Opinion Outset Response Surprise Translated
The main reason I decided to study Latin American literature was because I’d gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic.
ADAM MORRIS

Bored Country Decided Latin Literature Main Reading Reason Thinking
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.
ADAM MORRIS

Alleged Authenticity Lamenting Latin Measure Tradition Variety
I am not one of those translators who think that working closely with the writer will yield the best translation.
ADAM MORRIS

Best Closely Think Thinking Translation Translator Working Writer Yield
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
ADAM MORRIS

Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
The transcendent aspect of the psychedelic experience is totally absent.
ADAM MORRIS

Absent Aspect Experience Psychedelic Totally Transcendent
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
ADAM MORRIS

Concern Country Identity Mean National Primary Reading
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
ADAM MORRIS

Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer

Unless you count the political backdrop, which in any case is a familiar one to many international readers

Related Topics

Popular Authors

Unless you count the political backdrop, which in any case is a familiar one to many international readers

Related Topics

Popular Authors

More Adam Morris Quotes