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If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.

Adam Morris

I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
ADAM MORRIS

Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
ADAM MORRIS

Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.
ADAM MORRIS

Championed Editor Hoise Opinion Outset Response Surprise Translated
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
ADAM MORRIS

Break Choices Dark Language Minor Myself Romance Rule Time Translating
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
ADAM MORRIS

Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
ADAM MORRIS

Broadly Country Likely Noll People Translated Writing
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
ADAM MORRIS

Expected Exposure Far House Latin Reached Reader Risk
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
ADAM MORRIS

Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
ADAM MORRIS

Constructed Experience Modernization Mythic National Subject Unique
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
ADAM MORRIS

Country English Language Literature Portuguese Spanish Think Three
I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
ADAM MORRIS

Exactly Experience Filmmaker Mystery Novelist Think Translate Work
The authors I prefer are all very different and are not limited to certain genres or even certain time periods.
ADAM MORRIS

Author Certain Different Genre Limited Period Prefer
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
ADAM MORRIS

Already Author Decision Interest Multiple Reader Translate
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
ADAM MORRIS

Context Critic Helpful Novel Political Prerequisite True Understanding
The main reason I decided to study Latin American literature was because I’d gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic.
ADAM MORRIS

Bored Country Decided Latin Literature Main Reading Reason Thinking
The transcendent aspect of the psychedelic experience is totally absent.
ADAM MORRIS

Absent Aspect Experience Psychedelic Totally Transcendent

If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.

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If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.

Related Topics

Popular Authors

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