Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
ADAM MORRISI have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
More Adam Morris Quotes
-
-
An easy example would be the Portuguese escuridão:
ADAM MORRIS -
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
ADAM MORRIS -
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
ADAM MORRIS -
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
ADAM MORRIS -
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
ADAM MORRIS -
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
ADAM MORRIS -
English can be tricky because there are so many false cognates, but sometimes, as long the idea conveyed is not wrong, these false cognates can themselves offer synonyms or lead to a better alternative word or phrase in translation.
ADAM MORRIS -
This neglect of a very important Brazilian writer is, in my view, the result of Brazil’s relative isolation from what metropolitan tastemakers.
ADAM MORRIS -
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
ADAM MORRIS -
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
ADAM MORRIS -
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
ADAM MORRIS -
And these are universal relational matters, not necessarily particular to any country.
ADAM MORRIS -
I realized I had some cultural capital to spend, and I wanted to use it to introduce another author who might be considered a risk by conventional publishers. Michael Noll was at the top of my list.
ADAM MORRIS -
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
ADAM MORRIS -
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
ADAM MORRIS