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I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.

Adam Morris

If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
ADAM MORRIS

Broadly Country Likely Noll People Translated Writing
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it’s never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
ADAM MORRIS

Attention Easy Make Pleasing Read Writing
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
ADAM MORRIS

Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
ADAM MORRIS

Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
ADAM MORRIS

Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
ADAM MORRIS

Constructed Experience Modernization Mythic National Subject Unique
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
ADAM MORRIS

Country English Language Literature Portuguese Spanish Think Three
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
ADAM MORRIS

Concerned Country Fundamental Literary National Tango Tradition Trope
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
ADAM MORRIS

Context Critic Helpful Novel Political Prerequisite True Understanding
An easy example would be the Portuguese escuridão:
ADAM MORRIS

Country Escuridao Example
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
ADAM MORRIS

Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
This neglect of a very important Brazilian writer is, in my view, the result of Brazil’s relative isolation from what metropolitan tastemakers.
ADAM MORRIS

Important Isolation Neglect Relative Result Writer Writing
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.
ADAM MORRIS

Alleged Authenticity Lamenting Latin Measure Tradition Variety
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
ADAM MORRIS

Break Choices Dark Language Minor Myself Romance Rule Time Translating
I was confident that I could find an editor and the readership for a translation
ADAM MORRIS

Confident Editor Readership Translation
The authors I prefer are all very different and are not limited to certain genres or even certain time periods.
ADAM MORRIS

Author Certain Different Genre Limited Period Prefer

I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.

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I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.

Related Topics

Popular Authors

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