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With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.

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Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
And these are universal relational matters, not necessarily particular to any country.
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When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
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I am not one of those translators who think that working closely with the writer will yield the best translation.
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Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.
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Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
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Constructed Experience Modernization Mythic National Subject Unique
Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
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Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
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Aback Available Determined Injustice Looked Nothing Pretty Taken
An easy example would be the Portuguese escuridão:
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So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
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Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it’s never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
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The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
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Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
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Creature Dreamlike Most Mystery Quiet Quite Remarkable Sequencing Thinking
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
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Expected Exposure Far House Latin Reached Reader Risk
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
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I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
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