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I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.

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One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
ADAM MORRIS

Author Encounter Fiction Inflected Published Reading Translating Work Writer
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
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Break Choices Dark Language Minor Myself Romance Rule Time Translating
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
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Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
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I primarily write nonfiction. Research, reflection, and spending time with ideas are important to me. So, this is how I spend most of my time writing – in thought.
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Important Nonfiction Primarily Reflection Research Spending Writing
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
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Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
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Creature Dreamlike Most Mystery Quiet Quite Remarkable Sequencing Thinking
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield
I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
ADAM MORRIS

Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included.
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Adore Claim Country Divisive Enjoy Injustice Somewhat Time Tremendous Universal
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
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Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
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The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
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The main reason I decided to study Latin American literature was because I’d gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic.
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Unless you count the political backdrop, which in any case is a familiar one to many international readers
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When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
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