In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
ADAM GOPNIKYou can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
More Adam Gopnik Quotes
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I think I’m more intensely opinionated when I speak; more agreeably balanced when I write.
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I think if journalists start doing that then they won’t be practicing journalism. If satirists start doing that then they won’t be practicing satire.
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Someone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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For a first look at someone we may sleep with, or a last look at someone we love.
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Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.
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The reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
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I think – the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
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After all, spinning is its own reward. There wouldn’t be carousels if it weren’t so.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
ADAM GOPNIK