Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment.
ADAM GOPNIKThe special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.
More Adam Gopnik Quotes
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I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them.
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I think is the core of what it means to live a civilised life.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don’t exist…
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For me, the beauty of the blank page, or empty screen,staring up at nine thirty after two cups of coffee and a deep breath remains unique.
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
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We breathe in our first language, and swim in our second.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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The special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.
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That they chose the path of the mind suggests that there is on it something more worthwhile than a circuitous route to the good things that the good-looking get just by showing up
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Dinner with water is dinner for prisoners
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
ADAM GOPNIK






