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New York has always been a place where it is possible to have memories without the experience that conventionally precede them.

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Music is a current of hard choices made to seem easy by the mind.
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Leafing through Forbes or Fortune [magazine]s is like reading the operating manual of a strangely sanctimonious pirate ship
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I rush to add that I find the Web infinitely useful for rustling up information, settling arguments or locating the legends of rock stars.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
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Writing well isn’t just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in
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Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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It’s really our relief at no longer having to do things we were never good at doing in the first place – relief at never again having to dissect a frog or memorize the periodic table.
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The future will be like the past, in the sense that, no matter how amazing or technologically advanced a society becomes
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The blankness invites scribbling on, mental drawing , and the best feeling I know – apart from the more obvious sensual ones – is the feeling of putting down the first thought and seeing it turn into symbols.
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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