We breathe in our first language, and swim in our second.
ADAM GOPNIKMusic is a current of hard choices made to seem easy by the mind.
More Adam Gopnik Quotes
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If you’re being attacked from all sides, it’s possible you’re doing something right; it’s also possible that you are doing everything wrong.
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It’s really our relief at no longer having to do things we were never good at doing in the first place – relief at never again having to dissect a frog or memorize the periodic table.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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For a first look at someone we may sleep with, or a last look at someone we love.
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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Men choose Hamlet because every man sees himself as a disinherited monarch. .
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A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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If we are willing to act violently in pursuit of a peripheral interest, everyone can be certain that, when a vital interest is at stake, we will be still more violent.
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The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.
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The special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
ADAM GOPNIK






