That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
ADAM GOPNIKIf we are willing to act violently in pursuit of a peripheral interest, everyone can be certain that, when a vital interest is at stake, we will be still more violent.
More Adam Gopnik Quotes
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What we eat is the one simplest way to declare who we are – the table reflects our values with a clarity that few other theaters of human behaviour posses.
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Love, like light, is a thing that is enacted better than defined: we know it afterward by the traces it leaves on paper.
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
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Wit and puns aren’t just décor in the mind; they’re essential signs that the mind knows it’s on, recognizes its own software, can spot the bugs in its own program.
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The blankness invites scribbling on, mental drawing , and the best feeling I know – apart from the more obvious sensual ones – is the feeling of putting down the first thought and seeing it turn into symbols.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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New York has always been a place where it is possible to have memories without the experience that conventionally precede them.
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The scale and the brutality of our prisons are the moral scandal of American life.
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Men choose Hamlet because every man sees himself as a disinherited monarch. .
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The reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
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I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
ADAM GOPNIK






