“Those traumas when it comes to the historical past generation to generation; our children, our grandchildren, our future grandchildren learn these behaviors.”

He was out with his friends drinking and on medication for depression, and he didn’t come out of the water alive.

After that movie I said, “Y’know what, I have to realistically wear my emotions now when I do a job. That’s gotta be as real as it gets. It’s not just dialogue anymore.”

I do a lot of inspirational talks for kids, to motivate them to change their lives and give them hope.

This movie shows that perspective from Scott’s character, and I love it. It shows the American Indians as the ones who respect and help out when people are needed. It’s a nice little twist.

Well to me growing, up I’ve had my own psychological war with my parents dying at such a young age. My mother was killed by a drunk driver, then two months later my father drowned.

I’m not gonna fall. I’m tired of falling. I’m tired of seeing our people fall. I don’t believe in failure.

Smoke Signals really mirrored the way I grew up and how I felt, and that movie was the first time I’d dealt with my parents’ death and how I felt that loss and sadness and anger.

It’s what we put in our minds and our hearts to succeed. And success isn’t about money.

Acting for me was an escape and it wasn’t until Smoke Signals that made me realize that acting is a personal development and challenge to grow.

I think when I started acting it was the first time I got the freedom of expression.

When faced with structural injustice, especially in the form of oppressive military occupations,

We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created.

Ever since I started acting, I’ve always spoken to our people about identity. I’ve spoken to kids, telling them: “Where do I get my strength to push through the barriers to get me where I’m at today? It’s my culture and my traditions, you know?

Growing up with sexual abuse and having to be in gangs and dealing with my own trauma; finding the cultural identity when I was 16, and learning those traditional ways saved me from hurting myself.

We [Native Americans] respect being human beings, but also the natural and spiritual world and I thought that came across wonderfully

I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was.

I strongly reject threats by any member state to destroy another or outrageous attempts to deny historical facts such as the Holocaust.

A historical romance is the only kind of book where chastity really counts.

Actually, the only thing I regret is not making more underground films and bringing them with me as historical documents.

I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.

It is wiser, I believe, to arrive at theory by way of evidence rather than the other way around…. It is more rewarding, in any case, to assemble the facts first and, in the process of arranging them in narrative form, to discover a theory or a historical generalization emerging of its own accord.

Religion has really spawned some monsters. It always has, historically. Go all the way back to the Inquisition, you know, the Crusades, the Jehad and so on.

There is an angel within the monkey struggling to get free, and this is what the historical crisis is all about.

Historical knowledge is indispensable for those who want to build a better world