black
grey
blue
red
brown
white

Every generation tailors history to its taste.

Ada Louise Huxtable

If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
ADA LOUISE HUXTABLE

Cal Constant Decoration Nothing Place Process
Every generation tailors history to its taste.
ADA LOUISE HUXTABLE

Generation History Tailor Taste
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLE

Architectural Art Object Perennial Responsibility Versus Vision
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
ADA LOUISE HUXTABLE

Architecture Pursuit Style Unapologetic Unfettered
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
ADA LOUISE HUXTABLE

Art Cutting Grind History Purpose
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
ADA LOUISE HUXTABLE

Dubious Excellent Job Saying Would
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
ADA LOUISE HUXTABLE

Architectural Reel Steel Stone Vocabulary
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE

Becoming California Difficult Fake Real Take
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
ADA LOUISE HUXTABLE

Consistency Everything Paris Structure Style
And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
ADA LOUISE HUXTABLE

Aesthetic City Infrastructure Override Sunlight
Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
ADA LOUISE HUXTABLE

Activity Enforced Hed People Specialist Waiting
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
ADA LOUISE HUXTABLE

Bad Big Building Gigantism Tombstone Tragedy Triumph
California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
ADA LOUISE HUXTABLE

Country Established Land Rest Country Trend Value
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
The skyscraper is the point where art and the city meet.
ADA LOUISE HUXTABLE

Art City Meet Point Skyscraper

Every generation tailors history to its taste.

Related Topics

Popular Authors

Every generation tailors history to its taste.

Related Topics

Popular Authors

More Ada Louise Huxtable Quotes