. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
ADA LOUISE HUXTABLEGood architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
More Ada Louise Huxtable Quotes
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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Every generation tailors history to its taste.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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Clutter in its highest and most organized form is called collecting.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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