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That turns the Jersey wasteland into a pretty classy dump.

Ada Louise Huxtable

Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE

Becoming California Difficult Fake Real Take
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLE

Design Establishes Heart Hope Passion Quest
Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
ADA LOUISE HUXTABLE

Deemed Distinction False Longer Necessary Real Unbearable
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
ADA LOUISE HUXTABLE

Chunk Consume Decoration People Special Waiting
If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
ADA LOUISE HUXTABLE

Cal Constant Decoration Nothing Place Process
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
ADA LOUISE HUXTABLE

Country Established Land Rest Country Trend Value
The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
ADA LOUISE HUXTABLE

Country Extraordinary Gamble Payoff Ultimately
Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLE

Friendly Real Way
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
The skyscraper is the point where art and the city meet.
ADA LOUISE HUXTABLE

Art City Meet Point Skyscraper
The New York Hilton is laid out with a competence that would make a computer blush.
ADA LOUISE HUXTABLE

Blush Competence Country Computer Laid
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
ADA LOUISE HUXTABLE

Age Aged Explore Library Memorial Over Presential Presidential Read
. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
ADA LOUISE HUXTABLE

Admire City Country Demolished Ultimately
In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
ADA LOUISE HUXTABLE

Architect Conflict Essential Little Tension Tragedy

That turns the Jersey wasteland into a pretty classy dump.

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That turns the Jersey wasteland into a pretty classy dump.

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