A disaster where marble has been substituted for imagination.
ADA LOUISE HUXTABLEIt is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
More Ada Louise Huxtable Quotes
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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The New York Hilton is laid out with a competence that would make a computer blush.
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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Surrogate experience and surrogate environments have become the American way of life.
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Real estate is the closest thing to the proverbial pot of gold.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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