Every generation tailors history to its taste.
ADA LOUISE HUXTABLEIt is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
More Ada Louise Huxtable Quotes
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Surrogate experience and surrogate environments have become the American way of life.
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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That turns the Jersey wasteland into a pretty classy dump.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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