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I don’t have a problem with Werner Herzog.

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The last day of your life is still going to be a day.
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No one can stop me from talking about my movie.
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I don’t know what DVD commentaries are about. I’d like to strangle the person who came up with that concept.
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I don’t want to live anywhere where I’m breathing two million cars’ fumes and paying a zillion dollars for the right to be totally hassled.
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It’s funny, the hardest thing to do is to make something look like it’s fast, loose and improvised, and get somebody to laugh.
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I’m in a house where if the washing machine shuts off, it sings a song. If iPad gets a message, it sings a song.
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The actors that I love to work with, they’re hard on me. They’re pushing me.
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The limits of my imagination is the only thing that’s gonna stop me.
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I grew up in the ’60s, which was a creative time, so it wasn’t that big of a stretch to go from a baseball bat to a guitar to a film camera.
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I don’t have a problem with Werner Herzog.
ABEL FERRARA

never Problem
Then there’s that thing, maybe it’s not true. Who knows? Are you going to believe it? Are you going to buy it?
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You know, these month – or two-month-long endeavors that millions of dollars are based on.
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I’m living in a real postmodern time – every single thing sings to you to tell you it’s started, it’s stopped, you’ve got a message, you didn’t get a message.
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I don’t need to push myself. I don’t need to sharpen my own knife and slit my throat.
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Most filmmaking is about shaking hands and just starting.
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And the people doing them don’t even know each other, or know each other under pressure, or know each other when things are really
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Life is what happens when you’re doing other things, right?
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I grew up in the Bronx. I’m into rap music.
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You want to make movies on telephones, I’m there.
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My life is proof that I don’t need you to do what I do. If there’s no one to see it, I’ll watch it.
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And get off your spot and take that knowledge you have not to fix yourself into a place but to keep going.
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Which filmmaking is completely done under in many circumstances. You’re under constant crisis, making a movie
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I was born in the Bronx, and then my father moved us to the country at an early age.
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How you look to help other people, and how you get out of this ‘I, me, mine’ type of thing.
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I direct, and I make movies I can’t finance. I can’t raise money. I can’t sell anything. I make things.
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Anything Direct Finance Movie Raise Sell
So what. What are you going to do? Jump off the Empire State Building?” It’s all still the same. The last day of your life is still going to be a day.
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It’s always a problem when you’re working with people you don’t really know. Most filmmaking is about shaking hands and just starting.
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