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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.

Abbas Kiarostami

I never reflect or convey that which I have not experienced myself.
ABBAS KIAROSTAMI

Convey Experienced Myself never Reflect
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
ABBAS KIAROSTAMI

City Village Film Prefer Society Town True
I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
ABBAS KIAROSTAMI

Difficult Furtive Life Represent Thinking Way
My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI

Car Film Friend Home Intimate Location Office
Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.
ABBAS KIAROSTAMI

Character Children Independent Interesting Marlon Brando Strong
Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
ABBAS KIAROSTAMI

Enjoy Listener Listening Mind More Remember Story Teller
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.
ABBAS KIAROSTAMI

Deny Despite Differences Nation Race Ray Retrospectively Temporary World
It’s not so much a question of whether we’ve shot it through 35mm or digital video; what is important is whether the audience accepts it as real.
ABBAS KIAROSTAMI

Accept Audience Digital Important Question Real Shot Video
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
ABBAS KIAROSTAMI

Choice Long Possible Responsibility Right
If I do continue to have the opportunity to work in Iran, that’s very much what I’d prefer to do.
ABBAS KIAROSTAMI

Continue Iran Opportunity Prefer
I thought that I had been asked every kind of question possible.
ABBAS KIAROSTAMI

Asked Kind Possible Question
I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
ABBAS KIAROSTAMI

Based Dialogue Knowledge Note Person Writing
It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
ABBAS KIAROSTAMI

Camera Digital Intimate Moments Light
Using non-actors has its own rules and really requires that you allow them to do their own thing.
ABBAS KIAROSTAMI

Actor Non Actor Own REquired Thing
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
ABBAS KIAROSTAMI

Despite Ease Great Understand Use Video
The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
ABBAS KIAROSTAMI

Front Hold Men Mirror Nothing Reflection Viewer

I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.

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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.

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