Directors don’t always create, they can also destroy with too many demands.
ABBAS KIAROSTAMIWhether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
More Abbas Kiarostami Quotes
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Anything I’ve not experienced I do not look to for a subject. I have to feel it.
ABBAS KIAROSTAMI -
In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.
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I have no advice for anyone on how to live.
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The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
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I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
ABBAS KIAROSTAMI -
I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.
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A work of art doesn’t exist outside the perception of the audience.
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I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
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Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.
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I think I really produce my best work in Iran.
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With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.
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There were years when Hitchcock was like a master to me, but now I think he’s so artificial. I can watch films and say how technically beautiful they are, but I’m not impressed by any technicality.
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As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
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It’s not so much a question of whether we’ve shot it through 35mm or digital video; what is important is whether the audience accepts it as real.
ABBAS KIAROSTAMI