When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit.
ABBAS KIAROSTAMIPeople have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.
More Abbas Kiarostami Quotes
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I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
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I remember when I came out of an exam thinking I had done well and then I had a clue that maybe one answer was wrong, I remembered that I rather stop knowing, stop thinking about it, appreciating life instead.
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I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
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I have a picture from the end of the shoot, and in it I have lost all my hair.
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In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.
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I never reflect or convey that which I have not experienced myself.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
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Silence doesn’t seem heavy or difficult.
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I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
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I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
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I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
ABBAS KIAROSTAMI