If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMII really enjoy listening to stories. I remember them and keep them in my mind.
More Abbas Kiarostami Quotes
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This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
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I think that if you’re a digital thinker, you can use a digital camera.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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Silence doesn’t seem heavy or difficult.
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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
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I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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The digital camera has given me total freedom and a different way of filming.
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Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
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Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.
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I really haven’t seen The Report in a long time. I don’t have a copy, but I’ll have to see it again. I think it would be good to put both these men next to each other.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
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I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
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My car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
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Close-Up has affected later films that I’ve made.
ABBAS KIAROSTAMI