black
grey
blue
red
brown
white

A work of art doesn’t exist outside the perception of the audience.

Abbas Kiarostami

The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.
ABBAS KIAROSTAMI

Cinema Dead End Possible Turn Wall Word
Directors don’t always create, they can also destroy with too many demands.
ABBAS KIAROSTAMI

Always Create Demand Destroy Director
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMI

America Cinema Critics Few Iran More People Unfortunately
With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.
ABBAS KIAROSTAMI

Assistant Attention Camera DP Film heavy Impression Red Shooting
In my mind, there isn’t as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
ABBAS KIAROSTAMI

Bad Distinction Documentary Fiction Good Good Movie Mind Movie
I think that if you’re a digital thinker, you can use a digital camera.
ABBAS KIAROSTAMI

Camera Digital Thinker Thinking Use
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
ABBAS KIAROSTAMI

Camera Digital Feelings General Grateful Red
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI

Close up Director Film Oeuvre Thinking Time Way
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I’ve met in real life.
ABBAS KIAROSTAMI

Character Know Not People Real Well
A movie is about human beings, about humanity.
ABBAS KIAROSTAMI

Human Being Humanity Movie
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.
ABBAS KIAROSTAMI

Cinema Curiosity Director Intelligence Interest Peer People Producer Understanding
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
ABBAS KIAROSTAMI

Despite Ease Great Understand Use Video
The day we run out of petrol is the day Iran will be free.
ABBAS KIAROSTAMI

Day Free Iran Petrol Run Running
If it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
ABBAS KIAROSTAMI

Country Fruit Good Nature Original Rule
It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.
ABBAS KIAROSTAMI

Digital Film Maker Mind Predetermined Something Thinking Working
You’ve noticed that same joke told by two different people, once works, and the other time doesn’t, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize – all of this matters.
ABBAS KIAROSTAMI

Different Edit Joke Notice People Person Silence Time

A work of art doesn’t exist outside the perception of the audience.

Related Topics

Popular Authors

A work of art doesn’t exist outside the perception of the audience.

Related Topics

Popular Authors

More Abbas Kiarostami Quotes