My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMIThere were years when Hitchcock was like a master to me, but now I think he’s so artificial. I can watch films and say how technically beautiful they are, but I’m not impressed by any technicality.
More Abbas Kiarostami Quotes
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I think that if you’re a digital thinker, you can use a digital camera.
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I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn’t sleep a wink for those 40 nights.
ABBAS KIAROSTAMI -
Directors don’t always create, they can also destroy with too many demands.
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
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A movie is about human beings, about humanity.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.
ABBAS KIAROSTAMI -
I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!
ABBAS KIAROSTAMI -
My car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI -
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.
ABBAS KIAROSTAMI -
With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.
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We are nothing but a link between our culture and what we can actually produce.
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Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
ABBAS KIAROSTAMI