I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
ABBAS KIAROSTAMISilence doesn’t seem heavy or difficult.
More Abbas Kiarostami Quotes
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I think I really produce my best work in Iran.
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A movie is about human beings, about humanity.
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I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
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We are nothing but a link between our culture and what we can actually produce.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
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I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
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I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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I think that if you’re a digital thinker, you can use a digital camera.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.
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I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
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I have no advice for anyone on how to live.
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The digital camera has given me total freedom and a different way of filming.
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